What is the best way to simulate grief?
I am new to the art of writing and have been wondering if there is a way to introduce the grief of loss(character dies) in my story, inturn while making the reader feel the grief. Is there a good method to go about doing this (Making the reader feel the grief a character feels)?
style reader-engagement
New contributor
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I am new to the art of writing and have been wondering if there is a way to introduce the grief of loss(character dies) in my story, inturn while making the reader feel the grief. Is there a good method to go about doing this (Making the reader feel the grief a character feels)?
style reader-engagement
New contributor
add a comment |
I am new to the art of writing and have been wondering if there is a way to introduce the grief of loss(character dies) in my story, inturn while making the reader feel the grief. Is there a good method to go about doing this (Making the reader feel the grief a character feels)?
style reader-engagement
New contributor
I am new to the art of writing and have been wondering if there is a way to introduce the grief of loss(character dies) in my story, inturn while making the reader feel the grief. Is there a good method to go about doing this (Making the reader feel the grief a character feels)?
style reader-engagement
style reader-engagement
New contributor
New contributor
edited 49 mins ago
Xilpex
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asked 1 hour ago
XilpexXilpex
1136
1136
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2 Answers
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It is more engendering grief in the reader than simulating it, but one must be careful lest the beloved character you killed off be the only one the reader cares about. It is one thing for the reader to put the book down for a few minutes and think about the loss, quite another for them to put it down and never pick it up again.
What you need to inspire in the reader is genuine sorrow that said character died balanced with caring how the others will cope without him/her. Will their quest fail without this character or will this loss galvanize them further.
When Katherine Kurtz killed the gentle healer Rhys, it shocked me. She had another character psychically linked with him at the time of his death so that he was not alone. This other character cared deeply for Rhys and his anguish seemed real. It made the death matter.
Killing off a good and interesting character must be important or the reader feels they wasted time investing more in the character than the author did.
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
add a comment |
The best way I know of is to make the reader feel the grief too. By this I mean you build the character so well, make them so loved, that when they die it hurts. Then the reader doesn't just imagine what the other characters are feeling.
add a comment |
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2 Answers
2
active
oldest
votes
2 Answers
2
active
oldest
votes
active
oldest
votes
active
oldest
votes
It is more engendering grief in the reader than simulating it, but one must be careful lest the beloved character you killed off be the only one the reader cares about. It is one thing for the reader to put the book down for a few minutes and think about the loss, quite another for them to put it down and never pick it up again.
What you need to inspire in the reader is genuine sorrow that said character died balanced with caring how the others will cope without him/her. Will their quest fail without this character or will this loss galvanize them further.
When Katherine Kurtz killed the gentle healer Rhys, it shocked me. She had another character psychically linked with him at the time of his death so that he was not alone. This other character cared deeply for Rhys and his anguish seemed real. It made the death matter.
Killing off a good and interesting character must be important or the reader feels they wasted time investing more in the character than the author did.
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
add a comment |
It is more engendering grief in the reader than simulating it, but one must be careful lest the beloved character you killed off be the only one the reader cares about. It is one thing for the reader to put the book down for a few minutes and think about the loss, quite another for them to put it down and never pick it up again.
What you need to inspire in the reader is genuine sorrow that said character died balanced with caring how the others will cope without him/her. Will their quest fail without this character or will this loss galvanize them further.
When Katherine Kurtz killed the gentle healer Rhys, it shocked me. She had another character psychically linked with him at the time of his death so that he was not alone. This other character cared deeply for Rhys and his anguish seemed real. It made the death matter.
Killing off a good and interesting character must be important or the reader feels they wasted time investing more in the character than the author did.
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
add a comment |
It is more engendering grief in the reader than simulating it, but one must be careful lest the beloved character you killed off be the only one the reader cares about. It is one thing for the reader to put the book down for a few minutes and think about the loss, quite another for them to put it down and never pick it up again.
What you need to inspire in the reader is genuine sorrow that said character died balanced with caring how the others will cope without him/her. Will their quest fail without this character or will this loss galvanize them further.
When Katherine Kurtz killed the gentle healer Rhys, it shocked me. She had another character psychically linked with him at the time of his death so that he was not alone. This other character cared deeply for Rhys and his anguish seemed real. It made the death matter.
Killing off a good and interesting character must be important or the reader feels they wasted time investing more in the character than the author did.
It is more engendering grief in the reader than simulating it, but one must be careful lest the beloved character you killed off be the only one the reader cares about. It is one thing for the reader to put the book down for a few minutes and think about the loss, quite another for them to put it down and never pick it up again.
What you need to inspire in the reader is genuine sorrow that said character died balanced with caring how the others will cope without him/her. Will their quest fail without this character or will this loss galvanize them further.
When Katherine Kurtz killed the gentle healer Rhys, it shocked me. She had another character psychically linked with him at the time of his death so that he was not alone. This other character cared deeply for Rhys and his anguish seemed real. It made the death matter.
Killing off a good and interesting character must be important or the reader feels they wasted time investing more in the character than the author did.
answered 32 mins ago
RasdashanRasdashan
6,0271040
6,0271040
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
add a comment |
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
Thank you! I never thought of it in this way! Thanks a lot!
– Xilpex
31 mins ago
add a comment |
The best way I know of is to make the reader feel the grief too. By this I mean you build the character so well, make them so loved, that when they die it hurts. Then the reader doesn't just imagine what the other characters are feeling.
add a comment |
The best way I know of is to make the reader feel the grief too. By this I mean you build the character so well, make them so loved, that when they die it hurts. Then the reader doesn't just imagine what the other characters are feeling.
add a comment |
The best way I know of is to make the reader feel the grief too. By this I mean you build the character so well, make them so loved, that when they die it hurts. Then the reader doesn't just imagine what the other characters are feeling.
The best way I know of is to make the reader feel the grief too. By this I mean you build the character so well, make them so loved, that when they die it hurts. Then the reader doesn't just imagine what the other characters are feeling.
answered 1 hour ago
bruglescobruglesco
1,184326
1,184326
add a comment |
add a comment |
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
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